The XT[2]+ offers “always on” loop recording and multi-channel ingest of audio and video content originating from any source. XT[2]+ is the ideal platform for an extensive range of[...]]]> The new XT[2]+ production server allows broadcasters to record, control, and play media easily, quickly, and intelligently. It inherits the qualities and main features of the field-proven XT[2], and designed for all types of workflows, such as live outside broadcasts, near-live and studio productions.

The XT[2]+ offers “always on” loop recording and multi-channel ingest of audio and video content originating from any source. XT[2]+ is the ideal platform for an extensive range of live and near-live production applications including instant replay, live slow-motion, live editing, video delay and playout. Due to its powerful networking capabilities, the content is instantly available for live editing, playback, or transfer to third-party equipment, such as craft editors, automation, archiving, and storage . The open architecture of the XT[2]+ also makes it easy to upgrade and expand your workflow in the future. The server natively supports multiple formats and codec configurations, providing transparent integration with any studio infrastructure. The XT[2]+ is also the first server to natively support Avid DNxHD®, Apple ProRes 422 and ProRes 422 HQ, and Panasonic DVCPRO HD codecs. Because the XT[2]+ is designed and built in-house with EVS’ hardware and software, getting upgrades, maintenance, and support is as easy as picking up the phone.

When focus is operated, Canon DIGI SUPER XJ25 6.8BIE-D angle of view is maintained by synchronizing zoom movement.

Canon DIGI SUPER XJ25 6.8BIE-D has computer aided design in order to meet the higher level demanded by HDT[...]]]> Canon DIGI SUPER XJ25 6.8BIE-D achieves wide-angle with reduced distortion, minimal variation of chromatic aberration while focusing, minimal variation of the center of gravity while focusing and internal focusing system allows for Anti-Dust and Anti-fog.

When focus is operated, Canon DIGI SUPER XJ25 6.8BIE-D angle of view is maintained by synchronizing zoom movement.

Canon DIGI SUPER XJ25 6.8BIE-D has computer aided design in order to meet the higher level demanded by HDTV.

Offering the most extensive height range available from heavy duty tripods on the market, the HDT has been totally re-designed, to offer increased torsional rigidity and robustness – ideal for large camera and lens combinations in any studio or OB application.

The new pinned and glued telescopic leg design provides a wide range of height adjustment whilst[...]]]> The HDT single and two-stage tripods are the new heavy-duty additions to the renowned Vinten range of camera support.

Offering the most extensive height range available from heavy duty tripods on the market, the HDT has been totally re-designed, to offer increased torsional rigidity and robustness – ideal for large camera and lens combinations in any studio or OB application.

The new pinned and glued telescopic leg design provides a wide range of height adjustment whilst offering superior strength and reliability. Set up has been made even simpler with the addition of engraved leg markings for rapid, even deployment and an integral level bubble allows for fine level adjustment. The new clamping system provides progressive feel to a positive stop which indicates when the leg is locked, ensuring simple and confident clamping.

Whatever the terrain, the HDT’s three-position swivel foot ensures a stable base. Choose from an increased length spike for soft surfaces, self-levelling pad for harder surfaces or a socket to fit all Vinten skids and floor spreaders. For more uneven surfaces, the newly designed mid-level spreader ensures the HDT is a convenient and stable option. The single piece, fixed length design offers exceptional strength and robustness, whilst simple to use and remove when necessary. With an integral carry handle providing comfortable and easy repositioning, this system is ideal for any terrain.

Combined with the Vector range, these systems provide maximum control and flexibility wherever the next location may be. 

The HDW-750P makes it easier[...]]]> The HDW-750P puts all the advantages of shooting High Definition at 25P/50i into the hands of the programme maker, maximising creative opportunities and control without sacrificing portability or battery life. It is an extremely compact and lightweight design, with a robust and reliable construction. Adopting a 2.2 million-pixel FIT CCD, and Advanced Digital Signal Processing (ADSP), the camcorder ensures superb picture quality and low-power consumption.

The HDW-750P makes it easier than ever to capture pictures that will satisfy the most exacting producer. By shooting 25 frames per second in progressive scan mode (25P), your shots will share "filmic" motion portrayal that can add a subjective richness to improve both the quality and marketability of your production. And new for 2005/6 is a new version of camcorder software: Version 2. This boosts the latitude of the camcorder to give an even more film-like image, allowing more detail to be seen in the highlight and lowlight areas of the picture.

With the HDW-750P, you can also shoot 50 fields per second interlaced (50i) as a natural partner to the PAL world. The choice is yours.

So whether you're post producing in Standard Definition and want to maximise image quality up-front, or following an end-to-end HD 25P workflow, the HDW-750P is the natural affordable choice to take you into the exciting world of High Definition.

It's key features are noise reduction, protection against the ingress of moisture and a constant output power.

The DVW-A500P is the most fully-featured VTR in the Digital Betacam line-up. It records and replays component digital video using small and large Digital Betacam cassettes.

The DVW-A500P can also replay Betacam and Betacam SP cassettes[...]]]>

The DVW-A500P is the most fully-featured VTR in the Digital Betacam line-up. It records and replays component digital video using small and large Digital Betacam cassettes.

The DVW-A500P can also replay Betacam and Betacam SP cassettes, allowing analogue material to be easily replayed into digital systems. 

The robust construction of the DVW-A500P, it's 4 channels of 20 bit digital audio and it's high quality video output have also made it a firm favourite for linear "on-air" playout.

The DVW-A500P is also the ultimate VTR for digital capture and play-out of SD (Standard Definition) material from Non-Linear editing and compositing suites.

Today, as television broadcasting evolves steadily towards High Definition (HD), there is a strong demand for a new breed of slow-motion camera systems - one that offers full HD performance. In response to this demand, Sony is proud to introduce the HDC-3300 Super Motion Camera and HDCU-3300 Camera Control Unit - its long-awaited HD slow-motion camera system.

Sony's cutting-edge technology enables the HDC-3300 to capture full-resol[...]]]> High Definition Slow-Motion Camera

Today, as television broadcasting evolves steadily towards High Definition (HD), there is a strong demand for a new breed of slow-motion camera systems - one that offers full HD performance. In response to this demand, Sony is proud to introduce the HDC-3300 Super Motion Camera and HDCU-3300 Camera Control Unit - its long-awaited HD slow-motion camera system.

Sony's cutting-edge technology enables the HDC-3300 to capture full-resolution 1920 x 1080 High Definition images at an amazing three times the normal frame rate. The CCU connects to the camera via optical fibre with digital data for perfect HD images over runs of up to 2500 metres*.

The HDC-3300 camera is based on the proven HDC-1500 HD multi-format camera, and therefore offers the same functionality, including outstanding, reliability, as well as its slow-motion capability.

In addition to its high-quality, slow-motion images, the HDC-3300 camera also provides real-time, normal-speed images thanks to a dedicated signal-processing LSI. This output is available simultaneously with the Super Motion output, allowing users to employ the HDC-3300 for both slow-motion and standard shooting purposes for increased versatility.

* The distance depends on the conditions such as the number of cables used and configuration of the system.

The HDC-1500 portable camera utilises advanced HD Digital Signal Processing with 14 bit A/D converters. It also incorporates a newly developed CCD imager that creates images in either 1080 50 or 60 frame progressive or 1080 50 or 60 field interlace frame rates, depending on desired final system output. The new CCD and DSP LSI are two key devices that allow stunning image creation in a variety of scanning modes. The new camera system ac[...]]]> The HDC-1500 is now ready for 3G transmission

The HDC-1500 portable camera utilises advanced HD Digital Signal Processing with 14 bit A/D converters. It also incorporates a newly developed CCD imager that creates images in either 1080 50 or 60 frame progressive or 1080 50 or 60 field interlace frame rates, depending on desired final system output. The new CCD and DSP LSI are two key devices that allow stunning image creation in a variety of scanning modes. The new camera system accommodates all popular interlace and progressive scan formats including 1080/50, 1080/24P as well as the highest-quality 720/50P images.

The HDC-1500 camera provides digital transmission using SMPTE standard fibre optic cable to transmit high-quality digital data over long distances. The camera also provides two HD SDI outputs and one digitally down-converted SDI or analogue composite output. In addition, viewfinder signals with characters can be output from the SDI output connector, giving camera operators additional convenience. Furthermore, when in 24P operation, the built-in 2-3 pull-down function of the HDC-1500 enables 60i down-converted SD signals to be output on a standard SD monitor - a capability that also minimises the flicker that generally occurs on the viewfinder.

The HDC-1500, if required, can be operated in a triax environment utislising the HDTX-100 triax adapter.

The Osprey Light is a 40 kg / 88.2 lbs capacity pedestal, with crabbing base capability. This single stage pedestal also has an on-shot stroke of 54 cm/ 21.2 ""and a significantly improved wheel braking mechanism that eliminates the flat spots that can ruin a rolling shot.

Perfect Balance is easy to achieve in any situation as [...]]]> The Osprey Light is designed for the growing number of small studios that require the quality of on shot movement synonymous with Vinten pedestals.

The Osprey Light is a 40 kg / 88.2 lbs capacity pedestal, with crabbing base capability. This single stage pedestal also has an on-shot stroke of 54 cm/ 21.2 ""and a significantly improved wheel braking mechanism that eliminates the flat spots that can ruin a rolling shot.

Perfect Balance is easy to achieve in any situation as the Osprey Light has an integral manual pump as well as an inlet valve for use with external pressure sources.

The Osprey Light is ideal for studios that require a lightweight pedestal which does not compromise functionality.

The Vector 750 features a centre of gravity range span of 8 to 25 cm/ 3.1 to 9.8 ". This covers the full centre of gravity of both the Vector 700models, creating a broad range of product capability and making product selection much easier. In addition the Vector 750 has a maximum payload of 75 kg / 165.3 lb[...]]]> With the Vector 750, Vinten has taken the functionality and durability of the acclaimed Vector 700 Standard and "H" versions and incorporated them into one versatile new product.

The Vector 750 features a centre of gravity range span of 8 to 25 cm/ 3.1 to 9.8 ". This covers the full centre of gravity of both the Vector 700models, creating a broad range of product capability and making product selection much easier. In addition the Vector 750 has a maximum payload of 75 kg / 165.3 lbs, allowing a greater use of camera accessories such as talent monitors and spotlights. A monitor bracket is available as an optional accessory. The inclusion of some additional robust internal components makes the Vector 750 even more durable.

Like the acclaimed Vector 700, the Vector 750 uses a unique counterbalance mechanism that does not use springs or cams. Instead a system of mechanical linkages balances cameras with various centre of gravity points, making adjustment simple and eliminating the need for time consuming cam changes when altering the camera configuration.

The Vector 750 retains all of the excellent, proven operational features of the Vector 700 including smooth operation in both pan and tilt movements with infinite adjustability for both the Perfect Balance and TF drag system. This ensures high levels of control and exceptionally smooth movement in any situation.

The Vector 90 combines Vinten's Perfect Balance technology with the highly regarded lubricated friction drag mechanism to deliver total control throughout a maximum possible tilt range of ±90°. The four bolt flat base incorporates a Quickfix ada[...]]]> The Vector 90 has a maximum payload of 90 kg / 198.4 lbs and is an ideal choice for heavy long lens or teleprompter camera configurations. Compact and durable, this head also includes an integral handle to make handling and storage simple.

The Vector 90 combines Vinten's Perfect Balance technology with the highly regarded lubricated friction drag mechanism to deliver total control throughout a maximum possible tilt range of ±90°. The four bolt flat base incorporates a Quickfix adaptor groove for rapid set-up. Functional and cost effective the Vector 90 head is the perfect choice for professional studio and OB production.

The TF drag system offers infinite adjustment and because it works ind[...]]]> The class leading Vision 250 is designed to support the latest portable cameras complete with viewfinders, prompters and pan bar controls and is becoming the standard in new studio production as well as OB/EFP applications. With a choice of easily changeable spherical or flat bases, the Vision 250 can be mounted on any pedestal or tripod, making the Vision 250 head one of the most versatile products in the range.

The TF drag system offers infinite adjustment and because it works independently of the balance system, allows precision balancing of the pan and tilt axis so that the effort needed to follow the action becomes totally insignificant.

The Vision 250 also includes illuminated drag controls and a digital counterbalance readout, ensuring simple and repeatable camera set-up in any lighting situation.