The DVW 790WSP It incorporates 2/3-inch (620K) Power HAD FIT CCDs with a 16:9/4:3 switchable aspect ratio.

The LDK 23HS mkII does what you want it to –exactly how you want it to. The ergonomic control layout will make you feel immediately at home. And it produces the excellent shots you'd expect. But the [...]]]> The LDK 23 II consists of: -
LDK-2300 CAMERA                  
LDK-4058 BASE STATION
LDK-4629 OCP
7" VIEW FINDER
LDK 4482 SUPER EXPANDER

The LDK 23HS mkII does what you want it to –exactly how you want it to. The ergonomic control layout will make you feel immediately at home. And it produces the excellent shots you'd expect. But the LDK 23HS mkII has something extra. It does what no normal camera  does; it scans at three times the normal rate.  Instead of scanning at 50 or 60 Hz, LDK 23HS mkII scans at 150 Hz (PAL) or 180 Hz (NTSC), collecting much more motion in detail. And that's not all. To ensure that every detail is preserved, image information is transferred to the CPU of the LDK 23HS mkII via a super wideband triax link, where three time-shifted, standard CCIR 601 triple-scan outputs are generated for direct registration on virtually any disk-based slow-motion system, such as EVS' SLSM package. The outcome is that viewers see breathtaking detail they've never experienced before, making your broadcasts even more competitive. What is more, the perfect slow-motion replay gives extra clarity and prominence to advertisers' billboards posted along the field of play. This ensures that advertisers' messages receive maximum exposure, also when shown  in slow-motion.

Offering the most extensive height range available from heavy duty tripods on the market, the HDT has been totally re-designed, to offer increased torsional rigidity and robustness – ideal for large camera and lens combinations in any studio or OB application.

The new pinned and glued telescopic leg design provides a wide range of height adjustment whilst[...]]]> The HDT single and two-stage tripods are the new heavy-duty additions to the renowned Vinten range of camera support.

Offering the most extensive height range available from heavy duty tripods on the market, the HDT has been totally re-designed, to offer increased torsional rigidity and robustness – ideal for large camera and lens combinations in any studio or OB application.

The new pinned and glued telescopic leg design provides a wide range of height adjustment whilst offering superior strength and reliability. Set up has been made even simpler with the addition of engraved leg markings for rapid, even deployment and an integral level bubble allows for fine level adjustment. The new clamping system provides progressive feel to a positive stop which indicates when the leg is locked, ensuring simple and confident clamping.

Whatever the terrain, the HDT’s three-position swivel foot ensures a stable base. Choose from an increased length spike for soft surfaces, self-levelling pad for harder surfaces or a socket to fit all Vinten skids and floor spreaders. For more uneven surfaces, the newly designed mid-level spreader ensures the HDT is a convenient and stable option. The single piece, fixed length design offers exceptional strength and robustness, whilst simple to use and remove when necessary. With an integral carry handle providing comfortable and easy repositioning, this system is ideal for any terrain.

Combined with the Vector range, these systems provide maximum control and flexibility wherever the next location may be. 

The HDW-750P makes it easier[...]]]> The HDW 750P puts all the advantages of shooting High Definition at 25P/50i into the hands of the programme maker, maximising creative opportunities and control without sacrificing portability or battery life. It is an extremely compact and lightweight design, with a robust and reliable construction. Adopting a 2.2 million-pixel FIT CCD, and Advanced Digital Signal Processing (ADSP), the camcorder ensures superb picture quality and low-power consumption.

The HDW-750P makes it easier than ever to capture pictures that will satisfy the most exacting producer. By shooting 25 frames per second in progressive scan mode (25P), your shots will share "filmic" motion portrayal that can add a subjective richness to improve both the quality and marketability of your production. And new for 2005/6 is a new version of camcorder software: Version 2. This boosts the latitude of the camcorder to give an even more film-like image, allowing more detail to be seen in the highlight and lowlight areas of the picture.

With the HDW-750P, you can also shoot 50 fields per second interlaced (50i) as a natural partner to the PAL world. The choice is yours.

So whether you're post producing in Standard Definition and want to maximise image quality up-front, or following an end-to-end HD 25P workflow, the HDW-750P is the natural affordable choice to take you into the exciting world of High Definition.

Due to its extremely compact design, the Sennheiser SK 5012 bodypack transmitter is the ideal choice for all applications where a very unobtrusive transmitter is required, e.g. musicals, TV shows and film applications.

The SK 5012's key features are noise reduction, protection against the ingress of moisture and a constant output power.

The DVW A500P is the most fully-featured VTR in the Digital Betacam line-up. It records and replays component digital video using small and large Digital Betacam cassettes.

The DVW A500P can also replay Betacam and Betacam SP cassettes[...]]]>

The DVW A500P is the most fully-featured VTR in the Digital Betacam line-up. It records and replays component digital video using small and large Digital Betacam cassettes.

The DVW A500P can also replay Betacam and Betacam SP cassettes, allowing analogue material to be easily replayed into digital systems. 

The robust construction of the DVW-A500P, it's 4 channels of 20 bit digital audio and it's high quality video output have also made it a firm favourite for linear "on-air" playout.

The DVW-A500P is also the ultimate VTR for digital capture and play-out of SD (Standard Definition) material from Non-Linear editing and compositing suites.

Today, as television broadcasting evolves steadily towards High Definition (HD), there is a strong demand for a new breed of slow-motion camera systems - one that offers full HD performance. In response to this demand, Sony is proud to introduce the HDC-3300 Super Motion Camera and HDCU-3300 Camera Control Unit - its long-awaited HD slow-motion camera system.

Sony's cutting-edge technology enables the HDC-3300 to capture full-r[...]]]> High Definition Slow-Motion Camera

Today, as television broadcasting evolves steadily towards High Definition (HD), there is a strong demand for a new breed of slow-motion camera systems - one that offers full HD performance. In response to this demand, Sony is proud to introduce the HDC-3300 Super Motion Camera and HDCU-3300 Camera Control Unit - its long-awaited HD slow-motion camera system.

Sony's cutting-edge technology enables the HDC-3300 to capture full-resolution 1920 x 1080 High Definition images at an amazing three times the normal frame rate. The CCU connects to the camera via optical fibre with digital data for perfect HD images over runs of up to 2500 metres*.

The HDC-3300 camera is based on the proven HDC-1500 HD multi-format camera, and therefore offers the same functionality, including outstanding, reliability, as well as its slow-motion capability.

In addition to its high-quality, slow-motion images, the HDC-3300 camera also provides real-time, normal-speed images thanks to a dedicated signal-processing LSI. This output is available simultaneously with the Super Motion output, allowing users to employ the HDC-3300 for both slow-motion and standard shooting purposes for increased versatility.

* The distance depends on the conditions such as the number of cables used and configuration of the system.